Photographing a stage is complex because it's not just about being prepared for the moment of the show; it's about anticipating the moment and thinking about the post-show phase, that is, the editing [processing].
Photographing a stage is complex because it's not just about being prepared for the moment of the show; it's about anticipating the moment and thinking about the post-show phase, that is, the editing [processing].
Almost 7 years later, I'm here to talk about this very important moment in my life, a recognition that came at a time when my work was in a really good place!
Hi! Just dropping by to share that my work has been selected to compete for the FotoDoc 2026 Award in two categories: Portfolio with the Maracatu series, and Featured Photo with the photo Veste Branco.
Starting a collection is not an easy task, and the decision of each detail takes on weight, responsibility, and becomes a direction;
The online shop is back with a variety of printed and textile products, from framed artwork to t-shirts. Come read a little about what's new!
Learn a little about the experience during film school, and how a trip changed the direction of things.
A Exposição AFROBRASILIDADES - de Pernambuco à Bahia é um Projeto do PEBA, que reúne o trabalho de artistas que tem uma conexão ancestral entre esses dois estados.
In March 2019, I was holding the Collective Exhibition Resistência Vagalume, with the series “Quanzos Mãos Fazem um Maracatu?”, at the Murillo La Greca Museum, in Recife, when the results of the call for the Floripa na Foto Festival came out, announcing those selected for the exhibition “Vestiremos as Cores que Quisermos”.
In 2018 I started a photography course to develop my work that was offered by Escola Livre de Imagem, which was led by the dear Mateus Sá, Eduardo Queiroga and Dani Bracchi at the Murilo La Greca Museum for almost 1 year, with weekly meetings. In the group there were some faces known to both photographers and friends, and other people who during this period became companions of our non-collective collective Vagalumes.
When I arrived in Olinda, I wanted to continue my academic life and decided to do a postgraduate degree in Photography and Image in the same year, but the class didn't close immediately and it was only possible the following year; The course lasted around...
Going to a show that we like is always connecting with those who sing, who seem to feel the same way as those who wrote. When I'm on stage, it's as if that scene is happening in slow motion, with countless colored lights just for me. So I dive into the vibration of the musicians, the music, myself, what I feel, what I see, and I pay attention, until a point where I click and from there my eye, my head, my body and my camera enter into another plan that I see everything that happens before me, like magic.